| Side A:
Comisario de la luz
Side B:
Blanco de fuerza
| After
a long period of little activity, EG reappear with an album of obscure, rough
and creaky sound in which they demonstrate that, in spite of the time elapsed
after their former album, EG their concept clearer than ever. Subsonic
frequencies ( "Comisario de la luz II"), minimal rhythms ("Blanco
de fuerza II"), and even melodic lines conveniently distorted ("Blanco
de fuerza III" ) form a record in which the rhythm is still defeated
in his struggle against noise.
|