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Album description

Nad Spiro (Rosa Arruti), fetish player on the experimental music scene, is back with her third solo offering. In Invisible Ink she goes one step further stretching the sonic reach of her guitar and exploring unfrequented audiozones, using what she calls 'sound camouflage', not shy of employing her voice either. With her we discover new magnetizing horizons of electronica, drawn by deeply narcotic cadences. Possibly the least obscure of her three outings to date, in it Spiro plays further with shadows and identities to create her 'Sound-Fiction'; though her musical riddles lean more toward movies by David Lynch or stories by Philip K. Dick. Perhaps what these seductive, indecipherable messages we hear really are is internal communications. As we have come to expect from Nad Spiro, Invisible Ink beggars label or description. It was co-produced by Victor Sol, and includes a special collaboration from Kim Cascone. NAD SPIRO Rosa Arruti’s sonic investigations cover a broad musical spectrum right since her first collaborative projects rooted in Barcelona’s musical underground. She has worked for some years now under her alias Nad Spiro, a solo venture where complex processed guitar sounds and voices are built in a world of textures and sequences in the outer peripheries of electronica. Names like Kim Cascone, Victor Sol, Krishna Goineau (Liaisons Dangereuses) or Alain Wergifosse appear among her music associates -live or in the studio- and her sounds have been incorporated to video and documentary works, radio art and text creations, plastic and scenic arts, in collaborations with artists like Sofia Jack, Mike Ibáñez, Teresa Albes and Teatre Kaddish